ellenwiener.com - Welcome » Ellen Wiener - Artwork

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Title:

Welcome » Ellen Wiener - Artwork
Age:

12 years old
Alexa Rank:
Total Sites Linking In (Alexa):

10
Domain's IP Country:

United States
Status Code:

OK
IP Address:

66.7.215.42
Description:
Keywords:

ellenwiener.com Whois Information:

1.

Domain Name:

ellenwiener.com
2.

Domain Age:

12 years old
3.

Name Server 1:

ns2070.dizinc.com
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Name Server 2:

ns2071.dizinc.com
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Created:

Tuesday 20. July 2004
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Expires:

Saturday 20. July 2019
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Domain Registrar:

Melbourne IT Ltd

Website Important Html Tags:

TAG
TEXT
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LONDON INTERVIEW (
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OTHER RECENT PUBLICATIONS
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HOME
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Ellen Wiener: Painter, Printmaker, Book Artist
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Ellen Wiener
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Ellen Wiener: I was forced to choose between writing and art-making in school, so my current work, with so many evident ties to reading, is particularly satisfying. I studied visual art at Bennington College at the height of Clement Greenberg’s influence but was also a thirsty fly-on-the-wall in Lit classes. My poetry teacher, Ben Belitt, understood my dilemma & it was with him that I made my first hybrid text and image edition. He introduced me to translation as a visual practice. This had a huge impact on courses I later wrote for my own classes at Princeton and elsewhere- I have always used books as parallel models to illuminate the arts.
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Ellen Wiener: Right now I am working from content rather than phenomena- I take a set of cloudy ideas that I feel might fit together somehow in a new map…then set out to explore them — via museums, libraries, conferences, travel, & historical research.
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Ellen Wiener: National origins, citizenship & self- identification with territory is one of the thorniest and emotional issues we face. No one is exempt. The special pressures on questions surrounding landscape—If it is no longer Empire or Wilderness, is it nostalgia? Does it really represent nature? Is it a park? Is outer space included? Who owns it? The word wild for example–has it veered completely away from a physical manifestation to a psychological state? My own landscape work concerns place as a platform for allusions, memory, allegory, and the passage of time- the pictures are studio works, obviously not plein air. I’d hope to see them as posing questions rather than representing facts.
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Ellen Wiener: Because a lot of my current work is blended with writing and a sort of note-taking aesthetic I’m using what looks like pen and ink right now. Materials that emphatically point to the hand/handmade/handwriting – all very low tech and related to touch. An un-digitized, un-machined material signature feels appropriate. I love the vocabularies of stuff- from gunmetal to dust. I use all sorts of grounds, tools, colors and glues- both fine art and hardware store supplies. I have an etching press and I often reconfigure imagery across print mediums. Each material speaks in a different tongue.
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Ellen Wiener: I am a reader because much of what I am able to grasp about the world is absorbed through books and words. The architecture of a great novel for example, is not only
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Ellen Wiener: Not at all- I am an amateur bookmaker and lack the skills and equipment to produce work of this caliber. I am fortunate to work with the binder
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Ellen Wiener: I came across Joron’s poem randomly and it resonated so much! I believed I was already making the place for it to live. I wrote to him via his editor, he looked at
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Ellen Wiener: We have a mutual friend, the publisher Karen Braziller of Persea Press, and she steered us towards each other. Always, paintings and poems must stand alone –on and in their own terms- yet, it is a wish of mine that once in a while two linked narratives might find an even more expansive iteration in a hybrid marriage…. I think this occurs in ‘Between Red & Green’.
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Ellen Wiener: Any response, any give and take, must be specific to the spirit of the project of course. The key words you’ve used in your questions, Julie, like ‘practice’ & ‘process’ are twins- joined, even yoked together, because process has sort of BECOME our post post modern topic; practice involves not just diligence and devotion, materials and methods, but considers the species of exchange needed… it must be respectful, vulnerability is essential, but the real coin is trust.
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Before she wrote the text for R & G, earlier in our acquaintance, LB and I had worked in reverse. She visited the studio often while I made a 13-part painting to partner with her beautiful ‘Poems in the Suit of Diamonds’. Ultimately, the picture grew ‘wings’ for exhibiting the poems, published as a deck of boxed cards, as inherent visual elements. We made an animated link:

ellenwiener.com IP Information:

1.

Ip Address:

66.7.215.42
2.

Country:

United States
3.

Status Code:

OK
4.

Region Name:

Florida
5.

City Name:

Orlando
6.

Zip Code:

32826
7.

Speed test:

78.9 ms

ellenwiener.com Alexa Information:

5 Websites linking to ellenwiener.com:
dartmouth.edu
strose.edu
bridgesmathart.org
torpedofactory.org
hamptonsarthub.com

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longhand, ellen little painter, wiener and thompson, ÙØ±Ø´ ÙÛÙØ±, dan weiner ellen

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